Chicago Betty Classical Composition MUSIC Piano



Piano Composition by Hood & Gudgalis (1984)

Musical Influences: Vivaldi, Bach, Beethoven 

Art by BB Hood


One day, many years ago, not long before I would give birth to my first child, and then my second, I waited for the man I would later marry, who was editing a film at a studio in Chicago. Had I stayed put, I could have spent that time reading a heavy load of English Literature for my final quarter in college. Instead I wandered through the silent suites of the night and discovered another room. That’s where I remained long after the sun had set, for a period of three weeks, perhaps — alone in a room with a piano. That is where I conceived the theme of Threshold.

I shared that theme with a friend of mine, Judy, who was trained in Classical piano. And so I sat beside her, while she occupied centre stage, and together we inhaled and exhaled, until the piece fully came to life. At that stage, I was nothing more than a mere speculator, another ear, tuned into hers, but perfectly synchronised. The composition developed quickly, and within a couple of months, we recorded at a studio in Chicago. Her condition was that she would only do one take of the score she had stored in head.

The studio had a Yamaha Grand, which she immediately tested, and expressed her displeasure about. The instrument was significantly inferior to the Chickering she had. And I agreed. Later I also discovered there was a technical imperfection, a glitch, and which created much distress for me, especially — you can hear the pedal work. 

Judy has long since been gone, and what I lost when she left was not only a dear friend, but a musical collaborator, whose death I still mourn. 

And so here it is, the door below for all to open, a room to visit, however briefly, and listen to the imperfections of beauty.



Things That Never Made It Into Print

By Things That Never Made It Into Print

Keep it simple ... Radical ... Writer, Artist, Dancer, Musician, Chicago Betty

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