Waking Up The Past

As I mostly drift through sleep and wakefulness, last night (I think it was) I thought it was time to pull something from the Past I had written about particular concepts of Time and Space.

It was over 5 years ago, when I was last in Greece, for an extended stay, and which incidentally, is when I began this blog.  It is my homage to The Greek Concept of Time and Space, written shortly my arrival on the scene, and, after a whole lot of twists and a whole lot sweat on an April day in Athens.
I will most likely delve into this lovely subject once again …

 
https://thingsthatnevermadeitintoprint.wordpress.com/2010/04/26/the-greek-concept-of-time-and-space%e2%80%94-revisited/

The Fickle Nature Of The Human Eye – Photography

HERE WE GO AGAIN! WordPress, the most marvelous, dysfunctional app, just told me the shots (But which ones?) will fail to post. What else is new?
Now what I consider visually interesting is NOT what others do. So it’s an enlightening experience to see what others see as beautiful. 
When I arrived in Greece last Wednesday evening, after an abysmal journey from the U.S., I was simply thrilled to get here, and even though I was exhausted in every conceivable way, I could not refrain from shooting what I saw around me. Click, click, click. I began with Athens, an incredibly visually interesting city, and the city I love above all others. 
For me, to use an application, it must be simple. I tried Pin Interest, and I found it unnecessarily cumbersome. So I never go there. My favorite is Instagram. It doesn’t get any more simple than that. Plus, I love the international flavor there. You cross paths with artists from all over the world, and that excites me. But I can never predict who will like what. 
So here’s a sample of what others like …
ATHENS BEFORE DAWN
Garnered a modest response.  An Art Gallery in California liked it, but that was on Twitter. 

LARGER THAN LIFE
This, too, a modest response. However, I simply love this shot!  Who cares, right?

THE EU IN A NUTSHELL
This is, by far, my favorite photograph. Greece attracts many Albanians, and this guy was the most colorful I have yet to come across. Again, a modest response. 

MY FRIEND, THE SALAMANDER
Just him and me. That’s it. I found him in the kitchen sink, petrified, with his eyes open, poor thing. We are great friends now. He’s very cool. 

THE AEGEAN
Eh, not bad, but nothing to write home about. This is my favorite beach. It’s secluded and the water is simply sensational. You know, all that rock therapy that’s popular now?  They charge a 100 bucks to put 5 hot rocks on your back?  Well, here, it’s free. You want rock therapy? Just rub your back against those rocks, and you will feel sensational afterwards. As for the sea, itself, well, whatever ails you, whatever cuts you have from shaving your legs, the combination of the salt and iodine, in addition to all the other minerals in the sea, will heal you in no time. Book a trip to Greece instead of those new age technique promises that promote much, but are short on delivery. 

THE APPROACH OF SUNSET
Again, this was an eh experience. 

ICONS
Well, we all know how popular religion is today. But I was particularly fascinated with the construction of this icon. It was made of fabric, sequins, and crystals. Very lush experience. The reflection in the background was a happy accident. 

WIRES, PLANTS, MOUNTAINS AND FLAGS
This was the easiest shot I have ever taken. It required absolutely no physical effort on my part. I was sitting in a chair, drinking my espresso, looking at the same scene I’ve observed since I arrived in Paralion Astros last Wednesday, when I decided to click the camera. Yet, mysteriously there was a rush of likes on Instagram. I am bewildered by the response. Plus it keeps on growing. Now I am not one of those persons who cares much about statistics. That been pretty obvious here. But this one?  I’m clueless as to its appeal. 50 likes and the engine keeps burning on Instagram. And thus, I can only attribute it to the fickle nature of the human eye. Beauty is indeed in the eye of the beholder. 

The Arithmetic of Dreams: Add It Up

I have often wondered how the subconscious influences our consciousness. And a question in search of an answer is: What is the Subconscious? We can speculate endlessly about its connection to Consciousness, but it is somewhat difficult to actually go there and form a mathematical equation, for example, of its properties. We just know it’s there. And dreams are often how we access it. Or, as in my case, in one example, the last image I produced before slipping into unconsciousness, 2 watercolor paintings I would not live to reproduce, while hovering between the two. And yet, there is a pattern that often comes through dreams that informs us what is of importance to us, at any given time, as long as our memory does not fail us once we awaken.

It’s an ideal way to address conflicts – if only you can have your therapist, for example, travel with you there. Roles often change. Projection is rampant. And so is substitution – essentially whatever is necessary to put the pieces of the puzzle into some coherent pattern.

I remember when I did observation while in my singular semester in graduate school at the Illinois Math and Science Academy, a campus that housed the most promising minds in these areas, tucked in a bucolic setting outside of Chicago. What an exciting experience! Curiosity at its peak. Adolescents! And Creativity. For Science also involves heavy doses of Creativity. That’s when breakthroughs occur.

Immediately I thought that the principles applied at IMSA could be applied at any school, since children and adolescents are naturally curious, observant and creative. But instead they are bogged down by futile attempts to measure and gauge intelligence through inferior testing principles – for what reason? For funding? Unacceptable. Shame on any system that holds this as the ideal!

The challenge is to teach children how to think – for themselves – and not demand they parrot irrelevant information for the comfort of sustaining social conformity.

One of the reasons, I failed graduate school was an assignment that asked us to produce our personal philosophy of Education. Mine was rejected. And as the graduate student next to me said when I told him this was: “How can you fail one when the assignment explicitly states to provide your personal philosophy of education?”

I hadn’t thought about that, until he mentioned it, but he was right. It’s an exploratory assignment, and properly outside any grading system. If anything, the response – or the grade – is a neutral one. It was at that point that I realized this program was not about teaching but about screening people for the profession. The professor ultimately admitted that when I confronted him on the last day of the semester. He had rejected my essay on Education and told me to rewrite it. And my refusal to comply was based on the premise that the only way I would be able to rewrite my personal philosophy of Education was when – and if – it changed. And it hadn’t changed. Thus I could not and would not comply with his demand. Because of that he gave me a “C” as my final grade. He had succeeded. He was victorious. I had been flushed from the system.

Back to IMSA.

At the time, I had a cousin who was (and is) a mathematical genius. He studied in France and has been on the staff at the Aegean University on the island of Samos. He discovered this concept called “Nest Algebra.” I looked into it, and I can’t say I understand it, but it has been highly influential among University mathematicians world-wide, including the U.S., especially at the University of Illinois in Urbana, Illinois.

At IMSA, I approached one of the mathematics staff and I simply asked him if he had ever heard of Nest Algebra. He hadn’t. And then, I decided to ask him a question that had been puzzling me ever since I was watching my older son playing with Legos (a staple in our house). Ted would build elaborate constructions with Legos, cities, they were. And one day, the following popped into my mind. When you take two discreet units and merge them into a single unit, you now have one, so we assume that 1 + 1 = 2. But maybe 1 + 1 = 1? That was the question I put to this teacher. But instead of explaining how I had arrived at this conclusion, I posed it differently to him, essentially as an equation. “Why doesn’t 1 + 1 = 1?” And his response was: “That’s an irrelevant question.” And my response to that was: “I thought all questions were relevant.” And that was the end of our conversation, since he did not respond to my final question, but instead, walked away from me.

Below is a picture snapped of me snapped during twilight at the Athens airport. Unfortunately I don’t have the original picture, but did have it Facebook – Big Brother – and could only copy the link.

Hopefully it works.
But wait …
I outwitted Big Brother!
Hahahaha!

My ex-husband at the time recalls seeing what appeared as lightning, startling him, as he took the picture. It wasn’t until we looked at the photograph that we saw what we saw.

The most common and revealing explanation was: You were smoking a cigarette. It’s cigarette smoke.

I’ll just leave it at that.
No comment.

But it was an astrophysicist – a PhD student in Athens – who saw it differently. He was curious about the time the photo was taken (4:30 AM) and suggested this was very likely a form of energy usually undetected by the naked eye. Electricity, perhaps. (He also ruled out cigarette smoke.) Now that is interesting.

My mother died when I was 16. I am now 61. She still inhabits my dreams. It took me years to reconcile the finality of Death and it was through her guidance and demonstrations (after several failed attempts) to reach my level of receptivity and understanding. It was Mother Goose to the rescue. Humpty Dumpty, specifically.

“Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall.
All the King’s Horses and all the King’s Men, couldn’t put Humpty Dumpty together again.”

I was like, wow, I get it.
Mary Shelley’s Frankenstein hadn’t worked. We had attempted (through dreams) several re-writes of that, but to no success.

Oftentimes, she just appears with strange messages. Once, she had hooked me up with Jacqueline Kennedy Onassis, when both were dead. They had reached some agreement that she would now serve as my literary agent. Oooookay, I said. Not gonna attempt to argue with that one. Dead women managing my literary career.

And then, last night, there she was again! This time with Oprah. I am neither a fan or follower of Oprah. But there she was. She had come to view my Art. She was in sweats and far from the elegant person portrayed in film, television and magazines.

And I’m going …
“What brought you here?
Why are you here?”

And she said:
“I wanna see your Art.”

And I said:
“But it’s locked up. It’s in storage and surrounded by a chain link fence.”

And she said:
“Show me.”

And I said:
“Yeah, but why are you here? What brought you here?”

And she said:
“I got a letter about you.
From your mother.
Five years ago.”

“Ohhhhh,” I said.

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Commenting on Comments

Probably one of my most concise, rapid and brief responses to another commenter on The Guardian website regarding the hunger strike of a Greek activist (I’m not judging right and wrong here, mind you.)

It just fell from my lips.

To those who try to isolate the intellectuals of Exarchia as some sort of deviant group in Greek society that does nothing more than hang-out at cafes is absurd. ALL Greeks love cafes. It’s a staple of Greek society. And if it bothers you that they are political activists, come visit the U.S. and see their (educated) peers who labor at low-wage jobs to barely survive and are the equivalent of political zombies (for now) and tell me the youth should just shut-up and put-up with the crap of the establishment. That’s what makes them special. They think.